“To a God, a woman, and an audience all unbeknownst to me…”

An amalgamation of songs plucked from the New Yorker’s obsessive 550+ catalog, Alexander Wren’s independently released debut album, To Whom It May Concern, resembles an artistic Frankenstein—timeless yet nostalgic, almost as if it emerged from a peculiar and entirely unplaceable era.

Listen if you’d like. The album is addressed to you.