“To a God, a woman, and an audience all unbeknownst to me…”

An amalgamation of songs plucked form the New Yorker’s obsessive 500+ catalog, Alexander Wren’s debut album, To Whom It May Concern, resembles an artistic Frankenstein. And the songwriter realized his vision independently by working dead-end jobs – cleaning toilets and scraping dead rats off of the New York City sidewalk. Emerging is a nostalgic yet timeless piece as if it were made of a peculiar and entirely unplaceable era. 

Take a listen if you’d like; it’s addressed to you.